Fortress urbanism 3
As security culture intensifies and cameras are installed and walls are built and our cities become slowly fortified – Baghdad, for instance, as Dexter Filkins writes in tomorrow's *NYTimes*, "seems a city transported from the Middle Ages: a scattering of high-walled fortresses, each protected by a group of armed men. The area between the forts is a lawless no man's land, menaced by bandits and brigands" – I'm left wondering if perhaps Belfast – yes, Belfast, though maybe Derry (once the most televised city on earth due to the incredible extent of its police CCTV network) – could someday serve as a predictive future history for cities like London and New York – or, for that matter, Baghdad.
That coming urban secrecy and fortressed paranoia is, in fact, already marked in advance for future readers in a poem by Seamus Heaney:
'O land of password, handgrip, wink and nod,
Of open minds as open as a trap,
Where tongues lie coiled, as under flames lie wicks,
Where half of us, as in a wooden horse
Were cabin'd and confined like wily Greeks,
Besieged within the siege, whispering morse.
(...)
This morning from a dewy motorway
I saw the new camp for the internees:
A bomb had left a crater of fresh clay
In the roadside, and over in the trees
Machine-gun posts defined a real stockade.
There was that white mist you get on a low ground
And it was déjà-vu, some film made
Of Stalag 17, a bad dream with no sound.
...We hug our little destiny again.'
(from 'Whatever You Say Say Nothing')
That coming urban secrecy and fortressed paranoia is, in fact, already marked in advance for future readers in a poem by Seamus Heaney:
'O land of password, handgrip, wink and nod,
Of open minds as open as a trap,
Where tongues lie coiled, as under flames lie wicks,
Where half of us, as in a wooden horse
Were cabin'd and confined like wily Greeks,
Besieged within the siege, whispering morse.
(...)
This morning from a dewy motorway
I saw the new camp for the internees:
A bomb had left a crater of fresh clay
In the roadside, and over in the trees
Machine-gun posts defined a real stockade.
There was that white mist you get on a low ground
And it was déjà-vu, some film made
Of Stalag 17, a bad dream with no sound.
...We hug our little destiny again.'
(from 'Whatever You Say Say Nothing')
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