Vivarium
[Image: Inside Vivarium].
Juan Azulay's Vivarium project opens to the public tonight, Friday, March 26, over at SCI-Arc. Vivarium "explores the relationship between technology, media, and environmental preservation/dereliction," we read, "[...] by placing itself in the midst of processes of intense transformation within the ecosystem it has isolated."
[Images: Cladding for Vivarium].
The bulk of the exhibition space will feature a "sunken pyramid" that houses the "vivarium"; the vivarium itself will contain "three types of organisms. Living microorganisms will transform the vivarium’s air-moisture into salt. Robotic-engineered organisms made for the installation will in turn generate heat. Virtual (digital) organisms will mimic the behavior of both the living and robotic microorganisms."
These living/semi-living/replicant/undead/digital organisms will thus transform "a freshwater ecosystem into a brackish one... creating a new hybrid ecology that will grow and self-stabilize throughout the exhibition period of three months."
[Images: Assembly diagrams for Vivarium].
I'm reminded of an Ecosphere I had in my work desk a year or two back, a glass sphere inside of which two little shrimp—barely perceptible to the naked eye—swam around living plantlife while I edited articles nearby, only Vivarium blows that up to the scale of installation architecture while simultaneously scattering an oddly post-mortem (or is it pre-?) collection of quasi-organisms into the mix. An aquarium left alone in a VR cave until it thinks it's dreaming.
Azulay will be discussing the project in a public event at SCI-Arc on April 9, so be sure to check that out if you have any questions.
Juan Azulay's Vivarium project opens to the public tonight, Friday, March 26, over at SCI-Arc. Vivarium "explores the relationship between technology, media, and environmental preservation/dereliction," we read, "[...] by placing itself in the midst of processes of intense transformation within the ecosystem it has isolated."
[Images: Cladding for Vivarium].
The bulk of the exhibition space will feature a "sunken pyramid" that houses the "vivarium"; the vivarium itself will contain "three types of organisms. Living microorganisms will transform the vivarium’s air-moisture into salt. Robotic-engineered organisms made for the installation will in turn generate heat. Virtual (digital) organisms will mimic the behavior of both the living and robotic microorganisms."
These living/semi-living/replicant/undead/digital organisms will thus transform "a freshwater ecosystem into a brackish one... creating a new hybrid ecology that will grow and self-stabilize throughout the exhibition period of three months."
[Images: Assembly diagrams for Vivarium].
I'm reminded of an Ecosphere I had in my work desk a year or two back, a glass sphere inside of which two little shrimp—barely perceptible to the naked eye—swam around living plantlife while I edited articles nearby, only Vivarium blows that up to the scale of installation architecture while simultaneously scattering an oddly post-mortem (or is it pre-?) collection of quasi-organisms into the mix. An aquarium left alone in a VR cave until it thinks it's dreaming.
Azulay will be discussing the project in a public event at SCI-Arc on April 9, so be sure to check that out if you have any questions.
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