Subterranean Saxophony
[Image: Photo by Steve Stills, courtesy of the Guardian].
Over in London later today, the Guardian explains, composer Iain Chambers will premiere a new piece of music written for an unusual urban venue: "the caverns that contain the counterweights of [London's Tower Bridge] when it’s raised."
The space itself has "the acoustics of a small cathedral," Sinclair told the newspaper, citing John Cage as an influence and urging readers "to listen to environmental sounds and treat them as music," whether it's the rumble of a bridge being raised or the sounds of boats on the river.
In fact, Chambers will be performing one of Cage's pieces during the show tonight—but, alas, I suspect it is not this one:
(Spotted via @nicolatwilley).
Over in London later today, the Guardian explains, composer Iain Chambers will premiere a new piece of music written for an unusual urban venue: "the caverns that contain the counterweights of [London's Tower Bridge] when it’s raised."
The space itself has "the acoustics of a small cathedral," Sinclair told the newspaper, citing John Cage as an influence and urging readers "to listen to environmental sounds and treat them as music," whether it's the rumble of a bridge being raised or the sounds of boats on the river.
In fact, Chambers will be performing one of Cage's pieces during the show tonight—but, alas, I suspect it is not this one:
It is rumored that the final, dying words of composer John Cage were: “Make sure they play my London piece… You have to hear my London piece…” He was referring, many now believe, to a piece written for the subterranean saxophony of London’s sewers.Read much more at the Guardian—or, even better, stop by tonight for a live performance.
(Spotted via @nicolatwilley).
Comments are moderated.
If it's not spam, it will appear here shortly!
Post a Comment